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Oh, apart from doing the LP narration of Prokofiev’s Peter And The Wolf, making it technically five albums recorded in a year.David Bowie was one of these musicians.
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It was the most bizarre experience.” In November there was a Kenyan safari with his son, Best Man duties for his driver in December, and that was it.
And he looked like a little old orange sitting on a stool. “I was wondering if he was still alive,” Bowie told me in 1999.
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Bowie also recorded Peace On Earth/The Little Drummer Boy with Bing Crosby for a TV special. Bolan was killed in a car crash the same month. Bowie’s desire to experiment continued with his use of Eno’s randomising Oblique Strategies cards and, as with Low, a side of instrumental tracks.Īfter the completion of his fourth album in 12 months, Bowie appeared on Marc Bolan’s TV show Marc (Bolan fell off the stage during the recording, prompting Bowie to enthuse: “Oh, that’s really Polaroid!”). With a lyric that Visconti claims is about his affair with singer Antonia Maas, the track Heroes features Robert Fripp, whose guitar playing was matched only by his fondness for obscure sexual similes like “waving the sword of union”. Heroes is a less sketchy, more focused album than Low and in the title track contains one of Bowie’s greatest songs.
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Again Bowie was to have a hit with a song from the album: Tonight (minus Iggy’s terrifying spoken intro but plus Tina Turner).Īfter a brief break for, possibly, coffee and sandwiches, Bowie, Visconti and Eno reconvened to make another album. “I realised I had to be quicker than him, otherwise whose album was it gonna be? The band and David would leave the studio to go to sleep, but not me.” Guitarist Ricky Gardiner wrote the brilliant riff for The Passenger, while Bowie worked out the title track on the least futurist instrument available, the ukulele. “See, Bowie’s a hell of a fast guy,” said Pop. This time Pop was holding the reins Lust For Life, as its name suggests, is rock, albeit a new kind of rock. They went for several drinks and were spotted in the King’s Road shouting: “I’m Bowie!” and “I’m Marc Bolan!”Īfter a brief American tour, Iggy and Bowie returned to Berlin where, incredibly, they made a third album in ’77, Lust For Life. In ’77 Bowie became Pop’s on-stage keyboard player on a UK tour beginning at Aylesbury Friars Hall and visiting Newcastle, Manchester and Birmingham before ending in London, where Bowie met up with his old friend and rival Marc Bolan. In 1976 Bowie had toured the world with Station To Station, introducing Iggy to life in stadium rock. Most remarkably, Bowie and Iggy – a man who in many ways is American rock at its most extreme – created one of the great European albums (although, as Bowie put it” “Poor Jim, in a way, became a guinea pig for what I wanted to do with sound.”) With Pop’s brilliant lyrics, songs like Sister Midnight and Nightclubbing were both sexy and sinister, ominous and exciting, while Dum Dum Boys provided a dark eulogy for The Stooges, and China Girl ( ‘visions of swastikas in my head’) became a worldwide pop hit when Bowie covered it in 1983.
That was my first attempt to kick cocaine, so that was an awful lot of pain.”īowie plays back-up with Iggy Pop in 1977 (Image credit: Getty Images) Bowie himself said: “There’s oodles of pain in the Low album. Right to the fore was Visconti’s new acquisition, the Eventide H910 Harmonizer pitch shifter, which the producer famously sold to Bowie and Eno with the phrase: “It fucks with the fabric of time.”ĭuller critics sometimes call Low soulless, or empty, as though not actually crying while singing makes music emotionless. Low also left America behind, its synth washes, disinterested vocals and brittle funk owing little to rock and soul and a lot to the future. He had left behind Ziggy, Aladdin Sane and, more importantly, The Thin White Duke – the mildly fascist, somewhat Kabbalah-influenced rock demon which was his most dehumanised persona yet. Having recorded Low mostly in France with Tony Visconti – possibly the only album ever made with contributions from Brian Eno, Iggy Pop and Eurovision singer Mary Hopkin (Visconti’s then wife and an Apple Records hit-maker with Those Were The Days) – Bowie had found a new way of working and a new music ( Low’s working title was New Music Night And Day).
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